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Trim flounders in the corridor,
point catching pile while lace once tacked
to white collar and mustard cuff
flails like a moth with a grey-moon wing
nipped through by a murderous beak.

Too little promise in the curl of air,
too much decay on its breath
to signal the swing of a door – only
drafts from the cellar, the chimney,
from the spider-cracks framing
Victorian fittings and dry-rotted sills.

Tucked into the trunk, our silence was closer,
a shawl of spun of waiting
for the stir, then the clap of three brass clasps,
for the bright lifting flight to table or knee
between footlights and curtains,
even the dust too buoyed to settle in the spot.

Arrayed behind grate and glass –
occasional audience a shuddering mass
stepping back from unblinking eye,
rigid grin, imagined ragged turn to face –
like starving dogs at the station we sit,
alone with no one to throw.

Mini penne baked in six
ramekins, smooth-ridged and crucible-white,
bought online two days ago,
cradling cheeses flown
from Switzerland and Italy,
vermouth in the sauce,
all whisked to a recipe
unearthed from NPR.com,
scrolled through on an iPad filmed
in cornstarch and Romano,
served at one of two
tables set in two states,
two screen as one view between,
stubborn like a window painted shut.

Deep breath precedes the dive,
lungs like sails before a steady drive

(relentless fill and bellow,
taut and tense, intent)

pull against the mast
as a mule in harness, adamant,
intransigent, drawing plow blade
true between the furrows.

Then down,
down until dark, until
fingers scour silt, search,
sweep settle from shell and beam,
deep down into the danger
of running out, of drowning
among murmur and reed,

down until not one
more moment left before return,
before the slow suspended pivot toward the light,
before kicking the covering
currents away,
retreating to a distant surface.

The moon dimmed opposite
the world from us,
dimmed in a shuttering
we both missed, its slide
a slow eyelid drowsing down
with the waning afternoon, with our
waning wakefulness, waning
attention drawn among too many screens,
our minds like sacking
split along seams and beans
scattering from tear to countertop.
Had I brush or broom,
patch and thread, another mind
and pair of eyes to home
onto the vanishing craters,
the mares muddying the shadow’s cusp,
I might divide my focus,
hold you and the moon
along with the burr and the grind.

Songbird

Nest struck through and scattered,
scaffold stems and lichen skin
collapsing and adrift – the surprised

songbird falls,
featherless flail and flounder,
shattered eye and rent wing

trailing like a ruse behind
an oily cloud, dispersing
suspense, slow settle to silt.

All of it came
together as “not only”
with “but also”:
winter and night,
the hammer and the bees,
then an orbit by the fire,
planet’s tether tying
inferno to the void,
supplication, stings,
suspense until the dawn.

And then a snap and summons,
creeping freeze in a beeline
back to the ash and the cooling stone,
to fumble too long with the fuel.
Too late. Too late.

Lure of knowledge, invention’s
snare, in a sepia flash of smoke and villain
I found myself jettisoned here,
with not even a flint or a flare.

I don’t mind it, though.
I don’t mind the rain,
the cobbles bound
for noplace, the evil
flowers ringing
things I fear to touch.

I don’t mind the bees,
the furious trees, the
frozen or fiery hounds
out from the dusk and the passage of time.

Even the disquiet that’s following twilight,
sinister, seething from shadows
I don’t mind, it’s staved off with
petals and hats,
with taffy and sleep on a mat.

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